My Studio - my sanctuary NOT!

On the advice from the Artists Helping Artists Blog Radio, I ordered the book Organizing for the Creative Person. I was hooked before reading all of the first chaptor.

So, without even reading further into the book, I dove in and started a major purging and packing in the art studio. I have a box full of artwork that is going in the fire and it feels great. I mean, do I really need that horrible self portrait, or still life artwork that looks more dead than alive?

I can actually see the floor of my closet. However, all that stuff is now in the center of the room. I was going to post a  photo but I was too embarrassed.

This may take time away from actually producing art, but I expect I will be more productive in the end.

The book is not expensive, and says a lot of things that may seem obvious or we have heard them before. And perhaps I am just ready to hear them now. But the information is written clearly and not long winded or rambling.

I might even post a photo of the studio when it looks presentable.

Sunlight and Shadows - SOLD

Sunlight and Shadows sold at the RNS sale last weekend. And I was thrilled that someone whose art I respect purchased it.

There was a lot of art at the show and we found that no matter how many times we walked around, we would find new pieces that we didn't remember seeing before. Lots of choices for the buyers from large, bright, colorful cityscapes to wee tightly painted landscapes.

The unfortunate aspect of a show held in the RNS gym is that there are a few spaces that are not as well lit. One of the buyers was using a flashlight to view the colors on a painting.

But the organizers do a splendid job of arranging the artwork and providing a opportunity to show artwork locally.

Adding emotion to your art

I must give 100% credit to Keith Bond who wrote the following wonderful post on cultivating emotion in artwork. I wanted to share it, as well as keep it as a reference for myself.
Please consider siging up for Clint Watson's Faso newsletter and check out Keith's post direectly at Fine Art Views Newsletter Monday April 30, 2012http://faso.com/art-marketing-newsletter/

Spend Time With Your Muse – Think of it as a relationship. Court your muse. The more time you give her, the more your muse will give you in return. Creativity begets creativity. Spend time creating. Have a regular date with your art.

 Spend Time With Your Subject – Know your subject intimately. If you paint landscapes, spend a lot of time in nature (or with whatever your subject is). Walk slowly. Observe, feel, respond. Smell the air. Smell the pines and sage. Explore. Contemplate. Discover the underlying rhythms of nature. Find metaphors in nature. Meditate. Do all this without your art supplies. Simply build a relationship with your subject. You will strengthen your feelings about it.

 Create Art With Your Subject in Front of You – Create from life as much as possible. If your muse speaks to you while you are standing on a river bank, why would you just take a photo to capture the scene and hope you can remember what your muse said later in the studio?

 Get Clear through Thumbnails – Before you begin a piece of art, draw several thumbnails. You will dig deeper into yourself and into your subject as you do. You will begin to become more aware of what you are responding to.

 Write – I find it helpful to write a few words while doing my thumbnails. I have also on occasion written my thoughts, feelings, and impressions while simply meditating in nature. Also, writing after the fact also helps solidify ideas and helps you become more aware of how you respond to your muse. It will strengthen your ability to identify those feelings in the future.

 Title Your Work Before You Begin – Sometimes simply giving the work a title before you begin helps you stay clearly focused on what you want to say.  Develop Your Memory – As much as I advocate painting from life, there is a time and place for memory painting. Superficial details are forgotten and impressions and emotions are retained through memory. Let memory guide your work, and as a result you will have more emotion in your work.

 Create a Studio Environment Conducive to Getting Into the Zone – Create a safe haven in your studio free of distractions. Fill the space with things that promote introspection, creativity, memory, happiness, etc.

 Identify Emotional Triggers – Find things that bring you back to meaningful memories or strong emotions. They could include music, smells, images, tastes, etc. Fill your studio with these.

 Develop Routines the Get You Into the Zone – Basketball players have routines at the free throw line. Golfers have routines for the critical putts. So do performers and boxers and many others. These routines aren’t just quirky habits. They are choreographed methods to get you to focus intently on what you are doing so that you can be at your peak performance. They are designed to get you into the zone.

 Use rituals, emotional triggers (see #9), arrangement of your colors on your palette, placement of easel in your studio, other routines, etc. to get you into the zone.  Do this each time you create.  Meditate – Yes, I included meditation as part of spending time with your subject (#2). But spending time to meditate on the bigger questions in life, on family, on spirituality, etc. is also important. Your choice of subject and how you respond to it is in direct relation to who you are as an individual. Your beliefs, philosophies, personality, relationships, etc. all play an important role in shaping you. Pondering on these issues, though not directly related to your art, will strengthen your inner-self. Your art will benefit. Your creative muse comes from who you are holistically.

 Spend time developing your emotional voice, coupled with your technical development. If you do, your work will have much more meaning.

 Share what other things you do to cultivate and nurture your own emotional connection to your art

Thank you Keith for this great information. Hope the readers will check out the FASO site.

Dale

Fundy Low Tide FINISHED

I am thrilled that this painting is done. Firstly, because I had a deadline for the artshow next weekend at the Rothesay Netherwood Art Show and Sale, and secondly, I can't wait to start a new painting.And that is my favorite part, working out the design, the colors, the light.

I had made some changes to the buildings to break up the skyline more and added more color to the foreground. My favorite part of this painting is the gull.I think adding something live to artwork changes it somehow. However, I wanted him to pull attention to the wet muddy surface rather than be the focal point, so I hope I achieved that.

Take a look and I would love to have your comments.